Finishing a novel is a strange experience. For years, my life has run on parallel tracks. There has been work, family, home-life, friends…. And then there has been researching and imagining the enduring love affair between two of the twentieth-century’s most brilliant and unusual figures: the Russian prima ballerina Lydia Lopokova and the British economist John Maynard Keynes. It was …
Writing music for the theatre
With Elizabeth Wright’s stage play of Vanessa and Virginia continuing at the Riverside Studios in London this month, by the award-winning Moving Stories Theatre under the direction of Emma Gersch, I asked the play’s musical director Jeremy Thurlow about writing music for the theatre and Vanessa and Virginia specifically. – Where did you begin with creating music for Vanessa …
writing practice
I joined in a conversation with Alice Thompson for a new publication launched last month edited by Katherine Cooper and Emma Short. Here is a short extract from the book about my own approach to writing historical fiction. I never find it easy to begin writing and am capable of great inventiveness when it comes to displacement activities. The rest …
Cambridge Virginia Woolf Edition
Friday saw the launch of the Cambridge edition of the works of Virginia Woolf, a project I have been involved in for the best part of a decade. I thought I’d give a taste of the work we’ve been doing by presenting some of the findings from one of our two pilot volumes, The Waves. Scholars have known for …
My perfect writing day
There’s a fascinating discussion going on at She Writes about what constitutes the perfect writing day. Here’s mine. I wake up having had enough sleep. This is important – if I’ve had one of those nights where it feels as if the world’s traffic has been using my brain as a concourse I can forget about writing. The …
Writing with the door closed, editing with it open
After a talk to the Arts Society at Newnham College in Cambridge last night I had an interesting discussion about the differences between literary criticism and creative writing. The talk was to launch a new journal Women and the Arts, celebrating Virginia Woolf’s lecture to the Society in 1928. Woolf later reworked her lecture as her seminal essay A Room …