Turning a novel into a play

Sebastian Faulks once remarked that transposing a novel to another medium is like trying to turn a painting into sculpture. It’s an image I’ve been thinking about this summer as I’ve watched Vanessa and Virginia transform into a stage play. What first struck me on reading Elizabeth Wright’s script was the drastic scissoring away of words. Anything not absolutely essential …

Writing with the door closed, editing with it open

After a talk to the Arts Society at Newnham College in Cambridge last night I had an interesting discussion about the differences between literary criticism and creative writing. The talk was to launch a new journal Women and the Arts, celebrating Virginia Woolf’s lecture to the Society in 1928. Woolf later reworked her lecture as her seminal essay A Room …

Weaving

Earlier this month I visited the Gobelins in Paris, where tapestries and carpets are still made by hand using techniques that have hardly changed over centuries. After the history-for-tourists preamble by our guide we were taken on a tour of the workshops. There was something mesmeric about the row of weavers working with only the simplest of tools: a shuttle …

Home Conversations

Kettles Yard was the Cambridge home of Jim Ede, a man who put a great deal of thought into his surroundings. He was passionate about art and collected paintings and sculpture – his house is full of extraordinary works by such diverse artists as Pablo Picasso, Barbara Hepworth, the Cornish painter Alfred Wallis, and Ede’s grandchildren. Ede argued that ‘the …