Friday saw the launch of the Cambridge edition of the works of Virginia Woolf, a project I have been involved in for the best part of a decade. I thought I’d give a taste of the work we’ve been doing by presenting some of the findings from one of our two pilot volumes, The Waves. Scholars have known for …
How to revise a novel
A writer friend confessed recently she was enjoying revising her novel so much she really did not want the process to end. I know what she means. There’s something very satisfying about taking that hard-won first draft and making it better. I thought my second novel (provisionally entitled Given the Choice and set in the London art world) was finished, …
Interview with Professor Yang Lixin
Translating Virginia Woolf British Literature in China today Chinese books we should read How did you first become interested in the Bloomsbury group? Several years ago, when I began to collect materials for a research project on ‘Virginia Woolf’s Translation and Reception in China’, I read work by other important members of the Bloomsbury group such as E.M. Forster, Roger Fry, Vanessa Bell, Vita Sackville-West and Julian …
Turning a novel into a play
Sebastian Faulks once remarked that transposing a novel to another medium is like trying to turn a painting into sculpture. It’s an image I’ve been thinking about this summer as I’ve watched Vanessa and Virginia transform into a stage play. What first struck me on reading Elizabeth Wright’s script was the drastic scissoring away of words. Anything not absolutely essential …
My perfect writing day
There’s a fascinating discussion going on at She Writes about what constitutes the perfect writing day. Here’s mine. I wake up having had enough sleep. This is important – if I’ve had one of those nights where it feels as if the world’s traffic has been using my brain as a concourse I can forget about writing. The …
Displacement before writing
Why is it so difficult to start a piece of writing? This week I cleared space to begin working on a new novel but for some reason I have managed to fritter away the time, persuading myself that I really should send that reference/keep on top of my inbox/clean out the fridge/take that picture I’ve had since Christmas to the …
Writing with the door closed, editing with it open
After a talk to the Arts Society at Newnham College in Cambridge last night I had an interesting discussion about the differences between literary criticism and creative writing. The talk was to launch a new journal Women and the Arts, celebrating Virginia Woolf’s lecture to the Society in 1928. Woolf later reworked her lecture as her seminal essay A Room …
Weaving
Earlier this month I visited the Gobelins in Paris, where tapestries and carpets are still made by hand using techniques that have hardly changed over centuries. After the history-for-tourists preamble by our guide we were taken on a tour of the workshops. There was something mesmeric about the row of weavers working with only the simplest of tools: a shuttle …